The Composition of To Autumn Keats wrote To Autumn after enjoying a peg down autumn day; he described his experience in a letter to his friend Reynolds: How pulchritudinous the season is now--How very well the air. A temperate sharpness about it. Really, without joking, chaste weather--Dian skies--I never likd stubble fields so much as now--Aye start out than the chilly green of the spring. Somehow a stubble unembellished looks warm--in the same way that some pictures look warm--this struck me so much in my Sundays walk that I composed upon it. frequent Comments This ode is a favorite with critics and poetry lovers alike. Harold Bloom calls it one of the subtlest and approximately beautiful of all Keatss odes, and as close to perfect as each shorter verse form in the English Language. Allen Tate agrees that it is a very well perfect piece of style; however, he goes on to say, it has secondary to say. This ode deals with the some of the concerns presented in his other od es, just there ar also significant differences. (1) There is no visionary escapist or attempted flight from realness in this poem; in fact, there is no record voice or persona at all. The poem is grounded in the real innovation; the vivid, concrete imagery immerses the reader in the sights, feel, and sounds of autumn and its progression.

(2) With its enactment of the progression of autumn, the poem is an unqualified exultation of butt against. (I am exploitation the words process, flux, and change interchangeably in my discussion of Keatss poems.) Keats totally accepts the natural world, with its mixture of ripening, fulfillment, dying, and death. Each stanza integrates suggestions of its black eye or its predecessors, for ! they be inherent in autumn also. Because this ode describes the process of fruition and decay... If you call for to get a full essay, clubhouse it on our website:
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